– Gail Busby, VMFA Executive Assistant for Advancement That inspired me to tell the story of Tar Beach to my own little girl. On a recent visit to Virginia Beach, I observed people of different ethnic backgrounds walking along the boardwalk. Faith Ringgold felt honored to have an exhibit based on her work at such a fine museum. I had the privilege of escorting Faith Ringgold through the Children’s Museum exhibit, which looked like the roof top of a high-rise building, only this one had reading nooks and play areas galore. I’ll always remember the part of the story when Cassie flies through the sky, imagining the lights on the George Washington Bridge as her sparkly, diamond necklace. (The asphalt roof made it “tar beach.”) While the parents would play cards with friends, Cassie would lie on a mattress, look up at the stars, and imagine she could fly. Instead, her mother, father, and little brother would go up to the roof of their apartment building to escape the summer heat inside. Because the story is set in the early 1930s when public beaches were segregated, Cassie’s family couldn’t go to the area beaches. In Tar Beach, the artist tells the story of an eight-year-old girl named Cassie Lightfoot, who lives in Harlem with her family. I vividly recall a wonderful exhibit at that museum called Tar Beach, which was based on Ringgold’s story quilt and her book of the same name (which is available in the VMFA Shop). Many years ago, I lived in New York City and served on the board for Children’s Museum of Manhattan, a great organization.

Tar beach quilt